Libraries

How to Showcase Your Book to Librarians

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Library.

“Putting up walls – like some indies are familiar with – and falsifying “best-seller” lists to limit consumer access to certain titles is simply wrong” writes eBooksareForever.  Expanding your readership is the program for two curated collections that make it simple to reach new readers and expand your fan base to library patrons  nationwide:

  • Library Journal’s curated collections, SELF-e Select (promotion to libraries)
  • eBooksAreForever (promotion and selling to libraries)

eBooksAreForever
makes it fast, easy, and lucrative for libraries to acquire and permanently own ebooks.
The purpose of eBooksAreForever is to offer a large, curated collection of ebooks to every library in North America, at a fair and sustainable price, where the library owns the ebook forever and authors and publishers make great, ongoing royalties. To find all the FAQ’s and answers see Support for Authors.

Having a curated collection of popular indie titles at sustainable pricing models, all of which can be purchased with minimal effort, allows libraries to tap into ebook content that they’ve been unable to access until now.  The ebooks offered by eBooksAreForever (EAF) are ones that consumers are purchasing every day, in great numbers, and offering them to library patrons is now simple and affordable. Libraries can be a great place to find new readers and grow your fan base.

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SELF-e Select – a Showcase for Your Books
SELF-e is a marketing and discovery service aimed at helping authors build an audience of readers.
The first of Library Journal’s curated collections, SELF-e Select, has been released this summer, just in time for the American Library Association (ALA) Annual Conference in June in San Francisco. The SELF-e Select collections are comprised of titles submitted nationally, then evaluated and selected by Library Journal to be showcased at participating libraries nationwide. In addition to appearing in the curated collections, the selected titles will appear in their respective states’ independent author, “indie,” collections as well. State “indie” collections are now activated and available in Ohio, California, New York, Illinois and Arizona, with several more planned to release over the coming months.
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Library Journal’s SELF-e Select
SELF-e, created by Library Journal in collaboration with BiblioBoard®, offers self-published and independent authors the opportunity to upload their ebooks, expand their readership, and reach new audiences through public libraries.

“The Library Journal curated collections contain the ‘best-of-the-best’ SELF-e submission and give authors the opportunity to reach new readers across the entire nation,” says Mitchell Davis, Chief Business Officer of BiblioLabs.  “Through the SELF-e Service and content modules, public libraries can now clearly demonstrate the value of engaging their local writing communities, while authors benefit from access to a voracious reading channel: library patrons.”

  • While all submissions must be in English, authors outside the United States are welcome to participate.
  • You must have the e-rights to your book.
  • SELF-e will not pay you a royalty when your ebook is checked out by a library patron. The purpose is to introduce you and your book to readers (comparable with book giveaways)
  • It costs you nothing to get into this arena for discovery but it also will not pay you in royalties, so it is very important you add lots of information where else library patrons can find you other books or meet you on your website / social media, at the end of your books. See also a former blog post: How Smart Authors Get Their Books into Libraries

Melinda Clayton wrote a detailed report about her own experiences with the SELF-e program:
“While SELF-e doesn’t accept every submission for inclusion in their national library database, they do offer the option of registering for state modules. Not every state is an active participant in SELF-e, at least not yet. But by selecting to have your book included in the state module, you reserve a spot for inclusion once that state becomes an active participant, even if your book wasn’t selected for inclusion in the national database. Active states can be seen here:  http://self-e.libraryjournal.com/where/“.  Read more in her Library Journal article at IndiesUnlimited.

For more information visit Self-e.libraryjournal.  To see a preview of the already selected books, check out the bookshelf on the SELF-e GoodReads page.
Porter Anderson wrote a very detailed – insider – article about this book promotion program.
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Read also an interview by Melissa Bowersock with CEO August Wainwright, about the eBooksAreForever program, where he explains in detail about their review program for inclusion into the library market.

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If you would like to get a mentor and our support in all things publishing, have your book intensively promoted and learn how to navigate social media sites – or learn how you can make yourself a name as an author through content writing: We offer for three months all this and more for only $179 – or less than $2 per day!  Learn more about this customized Online Seminar / Consulting / Book Marketing for your success: http://www.111Publishing.com/Seminars

To learn more about professional book marketing and publishing, please read also
“Book Marketing on a Shoestring”
http://www.amazon.com/dp/B00UAVL3LE

Our email newsletters with free insider tips are sent out once a month. To sign up, just go to the form on the right site of each blog post.



How Smart Authors Get Their Books into Libraries

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Library-of-Congress
Library of Congress in Washington D.C. – Wikipedia

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Do you want to get your books into libraries, but don’t know how to do it?  Get here the background info from librarians – and which library supplier and aggregator is the best for author-publishers!
I just read an article by Nate Hoffelder where he curated: “Why Librarians Don’t Want Your Self-Published Book”.  For sure a catchy title that gets author’s attention! It was first used by Librarian Molly Wetta on her “Wrapped up in Books
blog post from August 17.
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Librarians are NOT Resisting Self-published Books.
They are just facing tight constraints on both, their time (to purchase books) and budget.  And they are bound by certain procedures.  Including a book, for example, requires to have existing records ready to add to the library’s catalog.
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Librarian Molly Wetta Explains:
“Self-published books might not be available from the library’s main vendor, who has to do a number of tasks to make the book ready to be shelved in a library (a protective cover, property stamps, stickers to identify the proper location of the item, etc.).  This is as an extra step if it is purchased by a different vendor – and that’s only if the policies allow the library to do that in the first place (sometimes a library is restricted to specific vendors).”

“Even when librarians want to buy a self-published book, they are still constrained by a limited budget.  Books need to be in DEMAND and of great QUALITY.  This certainly applies to all books, and not just self-published, but the latter are often more difficult to quantify.
It’s not that librarians are completely unwilling to buy self-published books, it’s just that the systems aren’t in place yet (or aren’t yet robust enough) to make it easy to evaluate the quality and to efficiently bring them to patrons.”
Another Librarian and Book Purchaser Commented:
“I make a special note to go into the self-published section of the Overdrive marketplace and locate some gems.  It appears as if the full Smashwords catalog is not immediately available in the OverDrive Marketplace – as I find the faceted searching very basic and apt to yield similar results.  However, as a librarian, if there is a title you know of, but can’t find, you can place a request to have it added.  Make sure you have a great cover.  I will only purchase books whose covers can sit well next to ‘published’ titles.  Also the better the price, the more copies I will buy if the title is in demand.”
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Who Supplies Books to Libraries?
OverDrive, eBooksAreForever, Quality Books Inc., UniqueBooks, eBookPartnership, etc. are suppliers for the libraries.  OverDrive, for example, initially isolated self-published books in a “ghetto”, separating books from Smashwords, from others.  As an author you might see your own book, uploaded from Smashwords on their library list, but librarians who have different pages to order books, don’t see them.  As a librarian explained in a comment:
“The e-books from Smashwords are still separated from other e-books and placed in a ghetto along with e-books from Author Solutions…  This happens in the backend site that librarians use to purchase material – not the site library users / readers or authors – have access to. Librarians looking to purchase ebooks from Smashwords have to know what they are looking for, because they are in a separate catalog and can’t be found through a regular search.
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The Problem with OverDrive / Smashwords
“Both are not even remotely solving this first large hurdle to getting self-publishers into libraries.  It has little to do with tiers or the self-publishing ghetto, but much more to do with the fact that roughly 200,000 titles were dumped into Overdrive’s platform without any system in place to help librarians evaluate those titles.  It’s also worth noting that a large majority of the more successful indies bypass Smashwords altogether; why pay Smashwords 15% of net when you can just go direct – with eBookPartnership.com?  Also, Overdrive / Smashwords only net authors 45% of list price for library purchases.  It’s just not a solution to the problems librarians are dealing with.”

“When librarians are purchasing ebooks from OverDrive, they are on a special website that is only available to libraries who subscribe to OverDrive.  On that site, ebooks from Smashwords are separated from the main ebook catalog in a special section that can’t be searched or browsed without going to it specifically.  This means that librarians purchasing ebooks, have to make a special effort to go there, and it isn’t intuitive to find it or use it.  There is a public version of the OverDrive catalog, and the self-published titles are integrated there, but librarians doing the purchasing aren’t using this.”
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“Self-published ebooks are available in the main purchasing catalog through eBookPartnership,  but the ones from Smashwords aren’t and never were.  This issue was never resolved because OverDrive refuses to consider it as a problem that needs resolution.“

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The Solution for Authors: eBook-Partnership
eBookpartnership works with more than 65,000 libraries! and additionally places your book in North America also to Apple, Baker & Taylor, Barnes & Noble, Kobo, and Ingram. In Europe, they upload / deliver to Askew & Holts, Blackwell’s, BlioBook, Depository, Kalahari.net, Waterstones, Whitcoulls, and WH Smith for example.
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You certainly can make yourself more flexible in terms of organizing KDP sales promotions – place your book by yourself to all Amazon’s Kindle Stores: US, UK, France, Germany, Italy and Spain, Brazil, Japan, India etc.  However, eBookpartnership can upload it for you to Amazon as well.  There are no fees for updates to your metadata from them – which is very rare among aggregators – but you can do it faster on Amazon by yourself.
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The Benefit of eBookpartnership
eBookpartnership’s annual fee – no hidden costs – is for 1 to 9 titles just $50 (£35) per title. Authors can save at least several dozen hours for uploading their books, and even more hours (and headache) for accounting with these retailers.  If you work on Windows, you would need to use a Mac computer for the upload to Apple. It’s easier to let them do it.
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Best of all, eBookpartnership does not take commissions. You will keep 100% of the revenue from online retailers and “brick & mortar stores”.
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However, you should always buy your own ISBN’s, preferably a block of ten before publishing and don’t forget to register – for free – your book worldwide with Bowker’s database, which goes to all bookstores and libraries in the world.
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Promote Your Books to Libraries
Many libraries accept purchase requests from their patrons (which can be online on their websites or in person in the library).  Once a book is in their shelves and receives a couple dozen hold / lending requests, they will order more copies!
Minimum requirement for selling to libraries or their suppliers is certainly that you are the owner of the books ISBN (NOT from Smashwords, CreateSpace etc.) and that you listed your book into the worldwide database of books in print titles at Bowkers.
And don’t forget: ALWAYS have your contact, social media sites, your book sales pages and a request for a review in your last pages of every one of your books, no matter if print or e-book! See also The Secret of Professional Author Publishing.

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How to Demonstrate the Quality of Your Books
Aside from proofing high sales numbers, authors could put their e-books into Biblioboard’s Self-e platform, which means visibility which could lead to sales.  Maybe even paid book reviews from a legacy source (PW, Kirkus Book Reviews etc) would help?

Books for library use in the USA need to be registered with the Library of Congress Catalog “Books in Publication”.  A note printed on the upperleft back cover should indicate the type of book and the topic: reference/book publishing, writing/reference, history, autobiography, parenting, and so forth. Get detailed information about registering your books (before and after publication date) from the Library of Congress website and information about Bowker’s worldwide book listings at our blog

A note, printed on the upper left back cover of the book layout should indicate the type of book, and the topic, such as history, autobiography, writing/reference, parenting etc.
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Local Authors Collection at Libraries
“The Greater Victoria Public Library in Victoria, BC, Canada – GVPL – started an Emerging Local Authors Collection this year, intended for (mostly) self-published books.  They report: “Clear guidelines were posted on the library’s website, including the geographic area where the authors live, the durability of books and the fact that one copy of each book would be donated by the author.  The books were fully cataloged and the collection was launched with an evening reception for the authors and their guests.  The books are prominently displayed at our Central Branch and have been circulating briskly.  At the end of one year, books that have proven themselves by high circulations may be added to the permanent collection.”
Writer Audrey Driscoll: “ Next spring another collection will be made available, possibly including e-books.  I am one of the authors with a book in the collection.  I sent in my application like any other local author.  I think this is a good way to showcase local authors. But it did take considerable time for two librarians (a collections librarian and a cataloger) to make it happen.”

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Conclusion:
Have an excellent book who’s genre is in demand, which has been professionally edited, with a fantastic cover, lots of positive and professional reviews and proven sales, many people that request your book at libraries, your own ISBN, listed at the Library of Congress, listed in Bowker’s worldwide database of books, and distributed to libraries via eBookPartnership, and be included in the Library Journal’s curated collections, SELF-e Select.

Talk to the programming or events coordinator at your library and offer a free reading from your books or a free class for local writers where you explain the writing / publishing process – and maybe even find a couple of new readers or book buyers for your own work.
Once you have “your foot in the door” your next books will be much easier to get into libraries.
More about the first of Library Journal’s curated collections, SELF-e Select in a future blog post.  Stay tuned.

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If you would like to get a mentor and our support in all things publishing, have your book intensively promoted and learn how to navigate social media sites – or learn how you can make yourself a name as an author through content writing: We offer for three months all this and more for only $179 – or less than $2 per day!  Learn more about this customized Online Seminar / Consulting / Book Marketing for your success: http://www.111Publishing.com/Seminars

To learn more about professional book marketing and publishing, please read also
“Book Marketing on a Shoestring”
http://www.amazon.com/dp/B00UAVL3LE

Our email newsletters with free insider tips are sent out once a month. To sign up, just go to the form on the right site of each blog post.
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Selling Audio-Books and E-books to Libraries

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Sarasota-Library

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How Do Libraries Get Their e-Books?
OverDrive, the main distributor to libraries has more than 1,000,000 e-book titles available and growing. They were the early pioneers in the digital lending space and developed the e-book lending systems used by most libraries today. Overdrive uses the same Adobe DRM (Digital Rights Management) system as Kobo, Sony, B & N and Google Books to protect files from piracy and manage the lending period of library e-books. Overdrive also offers a program called “Advantage” where individual libraries and library systems buy extra titles or copies to fill local demand.
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Audio-Book and e-Book Lending Exploded
In these statistics you can see the tremendous growth in circulation numbers from just one library during the last years. In the meantime the numbers are much higher!

Audio-books
August 2005 – 231
August 2009 – 16,680
Ebook
Nov. 2009 – 17,521 ——— 776
Jan. 2014 – 57,672 —– 191,303

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Technology Challenges
Libraries face many challenges from setting up their internet infrastructure to the actual ebook license acquisitions. In regards to e-Books the initial problems were: staff training and learning how to use and upload e-Books to different devices. Integrating the titles into the library system’s online catalog took some time. Getting a download link from the catalog took even more time.
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Trade Publishers are the Problem
Acquiring the ebooks, is a problem for most libraries because e-book licensing from trade publishers can cost as much as or more than a print book. Several publishers still refuse to sell to the library market. Other publishers are taking advantage on cost and “metering.” Random House will charge $83 for an eBook and Harper Collins has a 26-time checkout limit. Libraries “buy” the books, but ownership is determined by the vendor/publisher agreements. If a contract is not renewed will the library still own the titles?

The e-book library market is split between vendors and devices. Costs of content and administrative fees are increasing which can make e-books more expensive than print. Library users persevere because the rewards of checking out e-books from a library are tremendous with the ever-growing inventory of e-books. Yet there are usually a couple extra steps between checking the item out and loading it onto a device. Using an app does seem to solve a lot of this trouble.
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Selling e-Books to Libraries
The Washington County Library System in Minnesota, United States, has been growing their e-book collection in the last few years. Their entire system is using an innovative method to develop their ebook portfolio. Local authors are encouraged to submit their own novels in electronic format to add to the existing library system using “Library Local Connect.”. A similar initiative is currently in place in Douglas County, Colorado, USA. This helps libraries to increase their online e-book portfolio and gives exposure to local authors.  Ask your library if they have a similar program.
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Small Publishers
Overdrive downloads into the library catalog. However, as an author, if you’re interested in getting your ebooks into libraries, you have limited choices. They are explaining on their website:  “OverDrive delivers BEST-SELLING digital audio-books, eBooks, music, and video for download directly from a custom-built ‘Virtual Branch’ website. The world’s leading libraries, including New York Public Library, Toronto Public Library, and Singapore National Library, use OverDrive to deliver content to their patrons.” 

Which means dealing with the wholesaler/distributor OverDrive works only for authors who can proof great sales numbers. Hopefully sales to libraries will one day be commonplace.

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If you would like to get more support in all things publishing, have your book intensively promoted and learn how to navigate social media sites – or to learn how you can make yourself a name as an author through content writing: We offer all this and more for only $179 for three months – or less than $2 per day! Learn more about this customized Online Seminar / Consulting for writers: http://www.111Publishing.com/Seminars

Please check out all previous posts of this blog (there are more than 1,050 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Facebook, Tumblr and StumpleUpon.
Thanks a lot for following:

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Tagged: ebook and audiobook lending, how to get your ebook into libraries, libraries, OverDrive, selling ebooks to libraries, trade publishers block ebook lending, Virtual Branch


10 Tips: How to Sell Your Books to Libraries

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LibraryDecator Georgia

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US Libraries purchase books for nearly $2 billion per year. But not only books, also audio books and other forms of publications, such as e-books.  How can authors reach out to this lucrative market? And what about the distribution channels?

Ask the Library:
Ask if the library needs a purchase order for every book it purchases. Many libraries are publicly funded, and a purchase order, or PO, helps them keep track of their budget.
Ask for a current list of books the library needs to acquire. Most libraries put an emphasis on acquiring very new books; however, they may also be in need of replacements for lost or stolen copies. Find out whether they prefer hardcover, paperback or library bound books. Most libraries prefer library-bound or hardcover books.
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Distributor to Libraries
Quality Books Inc.  provides libraries with small press books that are not widely available through other
distributors. Their inventory is devoted ONLY to libraries.They explain:
“For the small publisher, getting noticed, by the appropriate librarian can present an
overwhelming challenge.  Since the vast majority of books and non-print resources produced annually never reach a professional review page, Quality Books Inc. has a stringent review process for all of the
titles we distribute. Our Title Selection Committee is made up of two MLS-degreed librarians and three publishing professionals. The committee uses more than 20 criteria with which to evaluate every title submitted to QBI for possible distribution.”  They give very detailed info what they are looking for at Quality Books’ webpage. They also state clearly how to submit your book, audio-book, CD etc.

Another major distributor to libraries is UniqueBooksInc  and specialist in non-fiction books and DVD’s. “We are a full service library resource providing our customers with newly copyrighted titles. Unique Books Inc. solves the small press dilemma of reaching the elusive, high maintenance library market profitably.”
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How Else Can You Promote Your Book in the Library Market?

  • Offer a free (1-2 hour) class in local libraries, where you can certainly mention your book and maybe even sell it.
  • Most online retailers, bookstores, and libraries find books through purchasing relationships with large distributors.
  • Find out the dates of library trade shows and exhibit through co-operative exhibit programs such as those offered through IBPA, the Independent Book Publishers Association.
  • Authors with several books, or those who can join with another small publishers, might try to get a booth at the ALA (American Library Association) Annual Conference in June 14, in Las Vegas, or at their other conferences, to show your books.  See a video about the Publisher halls at the Conference.
  • However, such conferences are not a place to sell hundreds of books, it is a place to introduce and take orders or hand out business card and ask librarians for theirs (maybe an iPad as drawing price, when people give their card into a fishbowl.)  It’s more of a PR stunt, than big sales.

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When is the Best Time?
Many libraries make the majority of their acquisitions at the beginning of their fiscal year, whatever this might be. This is a good time to buy books. If you want to approach Libraries directly: The best time to approach libraries might be in early December and early June (also mostly quiet months there) – as this is when they typically do their purchases.

More tips

http://savvybookwriters.wordpress.com/2013/11/19/myths-and-truth-about-selling-to-libraries/http://savvybookwriters.wordpress.com/2013/04/05/how-to-sell-your-book-to-libraries/

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If you would like to get more support in all things publishing, have your book intensively promoted and learn how to navigate social media sites – or to learn how you can make yourself a name as an author through content writing: We offer all this and more for only $159 for three months! Learn more about this individual book marketing help: http://www.111Publishing.com/Seminars
Or visit http://www.e-book-pr.com/book-promo/
to advertise your new book, specials, your KDP Select Free Days or the new Kindle Countdown Deals.

Please check out all previous posts of this blog (there are more than 970 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Facebook, Tumblr and StumpleUpon.
Thanks a lot for following:

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Tagged: Book Listing worldwide, Bowker, How and When Do Libraries Buy, Ingram Distriburion, Library, Library of Congress Catalog in Publication, Quality Books, Unique Books


HAPPY CANADA DAY !!! HAPPY CANADIAN WRITERS!

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Canadian-Flag
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July 1 is Canada’s National Day, and today’s blog post is dedicated to everything Canadian. The Canadian government is supporting and fostering literature, writers and publishers, even ISBN’s are FREE in Canada!
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There is a huge list of government grants and support for writers and publishers. The Canada Council for the Arts offers a range of benefits for professional Canadian writers, collectives and publishers.  In addition to providing support for the creation, translation, publication and promotion of Canadian literature, the “Writing and Publishing Section” funds among others for example author residencies, literary readings and festivals, as well as new areas of activity such as rap poetry, storytelling and electronic literature.
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PROVINCIAL GOVERNMENT BENEFITS
Just one of many provincial benefits for publishers is the Ontario Book Publishing Tax Credit, offering  generous tax deductions.
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WHERE and HOW TO OBTAIN A FREE ISBN IN CANADA
Good news for Canadian authors and publishers: the ISBN application process is simple and free of charge – but only if you are living in Canada and your publishing company is registered in Canada.
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COPYRIGHT CANADA
What Every Writer Needs to Know About Copyright. Register your manuscript or articles online to the Copyright Office, Canadian Intellectual Property Office Web site (fee Can $50).
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CANADA’s ONLINE BOOK RETAILERS
Mobile media and cloud computing emerged over the past years and enabled the e-book market to rapidly expand worldwide. These are just a few of the numerous possibilities to submit e-books in and to Canada:

Native - PowWow

Native – PowWow


http://www.Amazon.ca

http://www.Chapters.indigo.ca

http://itunes.apple.com/ca

http://www.kobobooks.com
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CANADIAN WRITERS DON’T NEED AGENTS
“You must get an agent!” is an advice that aspiring authors hear and read everywhere. Is it really true? Not for Canadian writers! Beacon Literary Services owner Julie Ferguson says: ”Publishing statistics in Canada demonstrate that it is simply a misconception caused by American influence. In Canada, only ten percent of books are agented. Aspiring and established authors here successfully submit the majority (10,000) of the titles published every year directly to editors.”  Julie Ferguson wrote a great blog post for Canadian authors, explaining in detail how publishing “north of 49th parallel” works, with a link to Publishers.ca, featuring listings and contact information for several important literary agents and agencies in Canada.

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CANADIAN SHORT STORY PRIZE 2013
Canada Writes, with partners CBC, Canada Council for the Arts, Air Canada’s enRoute magazine and “The Banff Centre”, are pleased to announce the Grand Prize winner will receive $6,000, courtesy of the Canada Council for the Arts, and will have his/her story published in Air Canada’s enRoute magazine and on the Canada Writes website. She or he will also be awarded a two-week residency at The Banff Centre’s Leighton Artists’ Colony, and will be interviewed on CBC Radio. The 4 runners-up will each receive $1,000, courtesy of the Canada Council for the Arts, and their stories will be published on the Canada Writes website.
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WRITE FOR AIR CANADA INFLIGHT MAGAZINE “ENROUTE”
Writing for airline magazines, such as enRoute represents a real opportunity for freelance writers. Travel pieces are a staple of in-flights, yet airline publications also offer articles on technology, business, sports, and food, as well as lifestyle trends. Find as much of the articles online. Or try to get hard copies. Since in-flights are not sold on newsstands, request a copy from the magazine’s publisher and ask traveling friends for their help.
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Canada-Day-Ottawa

Canada Day in Ottawa

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HOW TO OPEN A PUBLISHING BUSINESS IN CANADA?
Authors are smart and able to start their own publishing business, REAL publishing, not POD and not Vanity Publishing: Finding and getting quotes or referrals for an editor, a book lay-out company or book designer, cover artist, e-book formatting company and a printer is not difficult.
Setting up their own company can be done online – in minutes.
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READING CANADIAN BOOKS and ARTICLES
English is English! – No! Not at all! Canada and America are two countries separated by a common language – this is how George Bernard Shaw’s statement could be converted. Many American (and other) readers are surprised to learn that there are huge differences in spelling between English-speaking countries. A book, written and published in Canada, needs almost to be “translated” into American English and vice versa.
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BERTON HOUSE Writers’ Retreat, Dawson City, Yukon Territory
Professional Canadian writers who have one published book and are established in any creative literary discipline(s) — fiction, non-fiction, poetry, play-writing, journalism — are all encouraged to apply for Canada’s most northern Writers’ Retreat.  The Writer’s Retreat offers writers time, and a remote location to pursue their professional projects. The writer will be housed in the Berton House at no cost in rent or utilities. Travel costs to and from Dawson will also be covered! The writer is responsible for a public reading in Whitehorse and Dawson City and a summary of their stay at Berton House.
Applications may be submitted by mail or email to: jdavies@writerstrust.com
Berton House Writers’ Retreat,  c/o The Writers’ Trust of Canada
200-90 Richmond St. East, Toronto, ON M5C 1P1
http://www.bertonhouse.ca/retreat.html

A monthly honorarium is provided to help cover food and other living expenses. The competition to be a writer-in-residency during the 2014-15 season is now open. An online application form is available.  The deadline for submissions is October 4, 2013.
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Canada Day celebrations July 1, in front of the Parliament in Ottawa, Ontario. Image courtesy NCC.
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HAIG BROWN RESIDENCY
Published authors are being invited to apply for the 2013-2014 Haig-Brown House Writer in Residence position. The residency entails spending the winter months (or a portion thereof) living in the Haig-Brown Heritage House, which is under the management of the Museum at Campbell River on Vancouver Island (BC).

The modest four bedroom house reflects the character of writer Roderick Haig-Brown and his wife Ann. Located in a peaceful setting on the banks of the Campbell River on Vancouver Island, it contains a Heritage library and is surrounded by two acres of garden and 17 acres of public parkland.

The writer’s time will be divided between pursuing personal writing projects and providing literary advice and support to the local community, and participate in Museum winter programming.  A stipend of up to $2000 per month, depending on available funding, will be provided.

Please include a resume (maximum two pages), a list of publications, a one-page proposal of anticipated community activities, and a sample of work in progress (20 pages); with reasons why the residency would further your work. Forward your application package to Sandra Parrish, Museum at Campbell River, Box 70 Stn A, Campbell River, BC V9W 4Z9. Deadline is January 31, 2014. For further information contact sandra.parrish@crmuseum.ca.
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CANADIAN WRITER ASSOCIATIONS

Writers Guild

Professional Writers Association of Canada

Canadian Writers Union

Canadian Authors Association and Branches

Crime Writers of Canada

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RCMP-officers-on-horse

RCMP-officers-on-horse, courtesy NCC

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CANADA WRITER CONFERENCES

Surrey Intl. Writers Conference Oct 25-27, 2013 Surrey, BC

Guelph, Ontario Writers Conference

Writers Conference Orillia, Ontario

Ontario Writers Conference Ajax, Ontario

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WRITING CONTESTS in CANADA
compiled by Can Authors
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LIST OF CANADIAN WRITERS
Past and present writers, including poetsnovelistschildren’s writersessayists, and scholars. compiled in a Wikipedia article.
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PUBLIC LENDING RIGHT PAYMENTS TO AUTHORS
Canadian authors receive approx. $10 Million per year/ in average $600, and up to $3,500 The Canada Council for the Arts distributes annual payments to Canadian authors through the Public Lending Right (PLR) Program as compensation for the free public access to their books in Canadian public libraries. Canada is one of 29 countries with an active public lending right payment program.  Well, not bad to be a writer in Canada! Happy Canada Day!

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If you would like to get help in all things publishing, have your book heavily promoted and learn how to navigate social media sites: We offer all this and more for only a “token” of $1 / day for 3 months. Learn more about this individual book marketing help: http://www.111Publishing.com/    Once you are on this website, click on Seminar to register.
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Please feel free to check out all previous posts of this blog (there are 785 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Chime.in, Facebook, Tumblr and to StumpleUpon.

Thanks a lot for following:

@111publishing

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http://bit.ly/VmtVAS 111Publishing @ Google+

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Libraries: More Popular Than Ever!

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The public library: Historic artifact or adaptive success

Courtesy of: CityTownInfo.com
infographics/public-library-adaptive-success

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In the face of new technologies, libraries are adapting to a new reality and they are more popular than ever!

81 % of American adults use the Internet and almost as many people agree that free computer and internet access (including Wi-Fi) are very important services that libraries offer. 62% of libraries are the sole provider of computers and Wi-Fi for free in their community.  Libraries also offer technology assistance, help with social services applications, tutoring and advice for job-seeking patrons.
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Between 2000 and 2009, public libraries increased by 1.7 percent, but the national population increased by 11.7 percent.
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San Antonio, Texas, is planning to open a public library without books this fall.  Instead, it will have computers, tablets, laptops and e-readers with pre-loaded titles.  While the book-less library has been attempted in the U.S. in 2002, it didn’t last: patrons eventually asked for actual books.
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Sources:
Pew Research Center, “Demographics of Internet Users”, 2012
American Library Association, “State of America’s Libraries Report”, 2012
Institute of Museum and Library Services, Public Libraries Survey (Fiscal Year 2009), 2011
NPR, “A Launch of the Bookless Library”, 2013

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If you would like to get help in all things publishing, have your book heavily promoted and learn how to navigate social media sites: We offer all this and more for only a “token” of $1 / day for 3 months. Learn more about this individual book marketing help: http://www.111Publishing.com/seminar

If you enjoyed this blog post, please feel free to check out all previous posts of this blog (there are more than 720 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Chime.in, Facebook, Tumblr and StumpleUpon.

Thanks a lot for following:

@111publishing

http://on.fb.me/TvqDaK
http://bit.ly/VmtVAS 111Publishing @ Google+
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How to Sell Your Book to Libraries

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192528952789850566_gPLK5zTA_b

According to statistics from the American Library Association and the Book Industry Study Group, libraries yearly purchase books for nearly $2 billion. But not only books, also audio books and other forms of publications.

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Imagine, you sold your $15 book at 50% discount to only 10% of these libraries, you will earn more than $75,000. But how can you tap into the lucrative library market?
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On the downside: Many of the more than 100,000 public, university and specialty libraries throughout the United States have been forced to scale down their budgets and have to use creative means to update their book collections. They even take advantage of online bargains through Amazon.com, eBay and discount book sites.

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Create a Library-Quality Book

  • Librarians read reviews — at least those in Library Journal and Kirkus. It is not easy to get your book reviewed in these journals; however, it is possible.
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  • Your book has to be available through major wholesalers.
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  • Apply to work with a library distributor such as Quality Books or Unique Books, if you have a nonfiction book.
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  • Librarians prefer hardcover books and soft cover perfect-bound books with the title printed on the spine. The cover on a perfect-bound book must be sturdy. Librarians particularly like reference books. If you are writing or compiling such a non-fiction book, be sure to include an index, a bibliography and/or a resource list.
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  • Books for library-use need a Library of Congress Catalog in Publication block or, for a self-published book, Publishers Catalog in Publication block and / or a listing with Bowker word wide.
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  • A note, printed on the upper left back cover should indicating the type of book this is and the topic: reference/book publishing, writing/reference, history, autobiography, parenting,
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Sell Books Directly to Libraries

To find their addresses, use  Gale’s Directory of Libraries or Online Library Directory
You cam also buy mailing lists from Library Marketing List. You can get listings for 25,000 university libraries or 18,000 public libraries, or 400 listings for community college libraries.
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You can’t just walk into a library and hope they will take your book, not even if you are giving it away! Librarians are happy to get  books, but they also have constraints on what books they can accept. One of those constraints is the written or unwritten “acquisitions policy” at each library, depending on what that library is collecting. Space and the high cost of storing and/or distributing books to library patrons is another huge limitation. Time is another issue for librarians – they have little time to spend reading about books.
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Each kind of library: academic; public, school, and special, has different purposes. And they buy different kinds of books. Choose the right type for your book selling efforts. For example: Young Adult and Children’s authors: The largest library market are school libraries (grades K-12). The budgets of academic libraries and public libraries are much larger than those of the typical school library.
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Send a press release to the contact name via e-mail or snail mail. Describe your book and the binding and list any amenities such as index, color photos, resource list and/or bibliography. Be sure to include all your ordering information in detail. Add a list of wholesalers / distributors that carry your book.
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Selling to libraries as an author-publisher (and signing up with book whole sale) works best when you have at least three quality print books.

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What else can you do to promote your book to libraries?

Offer a free (1 hour) class in local libraries, where you can certainly mention your book.
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Find out the dates of library trade shows and exhibit through co-operative exhibit programs such as those offered through IBPA, the Independent Book Publishers Association.
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Consider donating a copy of your book to a few top library systems, to encourage purchases for branch libraries.

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The best time to approach libraries might be in December and June as this is when they typically do their buying. If you deliver directly to the library and not through whole sale, you may want to offer the same discount to entice them to purchase your book.

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If you would like to get help in all things publishing, have your book heavily promoted and learn, how to navigate Social Media: We offer all this and more for only a “token” of $1 / day for 3 months. Learn more about this individual book marketing help: http://www.111Publishing.com/seminar

If you enjoyed this blog post, please feel free to check out all previous posts of this blog (there are more than 700 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and on “LIKE” next to it. There is also the “SHARE” button underneath each article, where you can submit the article to Pinterest, Google+, Twitter, Chime.in, Facebook, Tumblr and StumpleUpon.

Thanks for following:

@111publishing

http://on.fb.me/TvqDaK
http://bit.ly/VmtVAS 111Publishing @ Google+

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11 Reasons Why You Should Offer Print Books Too

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Books-Kindle
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Last October I wrote a blog post why every author should offer print versions of their e-books. 
In the meantime I discovered even more reasons to have at least a small amount of printed books
listed.  Read on:

E-book authors might be happy with their sales on Amazon, Apple, Kobo or Barnes & Noble. You might have even turned it into an audio book. But the questions for a “real” book, paper back or hard-cover copy from conservative friends or elderly family members are nagging… And wouldn’t it be nice to walk into a Chapters or Baker & Taylor or one of these rare independent book shops and see your book in the shelf?

You will not earn a fortune, not even a living, but for a couple of months it is a nice pocket change. Only months… yes, because longer than this, barely any book will stay in the book store, unless it really is a bestseller and gets re-printed.

If you go the indie route and choose for sample the POD services and worldwide distribution through Lightning Source, (provided you have at least 3 books to be considered a small publisher) your book is printed on demand and will never get discarded (good: no-return-policy in POD worldwide distribution). See my blog from last month How to Distribute Your Book Worldwide.
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All you need is the spine / back of your cover designed and professionally formatted (graphic designer, book designer, lay-outer). To work with Lightning Source you need to have at least three books to be considered a publisher and you will not receive technical help. Using CreateSpace as a POD service is the better choice if you are not a computer geek and you have less than three books.
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Due to the high print-on-demand printing costs, you need to sell a 180-page fiction book for more than $10 to make any profit at all. Still you don’t make real money with your paper book, unless you are a marketing pro, very entrepreneurial and able to organize a small publisher business and invest in your written work and in letterpress print.
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Role models are enough out there and they will tell you exactly how to do start as a real publisher with their books and blogs – from Dan Poynter, Aaron Shephard to John Kremer, Joanna Penn and Joel Friedman. Author David Gaughran wrote in one of his blogs: Making Money from Paperbacks  “I was really slow to see the potential in print, and it was probably the biggest mistake I made over the last year.”
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But then again: Why on earth should you go with a paper edition of your e-book?

  1. The majority of book buyers still chooses printed books at the moment (that will change)
  2. You can give out review copies to newspaper/magazine or book blog reviewers
  3. To be hosted at local media / TV interviewers who want to show a copy of your book
  4. To sell your book easier to libraries
  5. To participate in a Goodreads giveaway
  6. To sell your book to those who really don’t want an e-Reader or just love paper books
  7. If you write non-fiction it is almost a must to offer it in paper as well
  8. You have an ISBN number and can get listed with Bowker at worldwide bookstores
  9. Physical books are just nicer to give on Christmas – unless you put an e-book on a new e-Reader and wrap it
  10. To sell more e-books! Yes – because they seem to cost so much less in comparison…
  11. To list your book in more categories / genres on Amazon: per book type you are allowed to choose two categories / genres. Two print and two digital versions – which increases your books’ visibility and also shows you exactly in which genre you have the most success.
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And last but not least: Think hurricanes or other reasons for power outage. I know e-Readers have batteries. But guess what: just yesterday my Kindle went dead and needed to be re-charged! With heavy thunderstorms around the house due to hurricane “Sandy”, I did not want to plug it in – and instead I read a paper book surrounded by lots of solar lamps and candles.

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If you enjoyed this blog post, please feel free to check out all previous posts of this blog (there are almost 570 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Tumblr and StumpleUpon.

Follow on Twitter: @111publishing

And don’t forget to spread the word on other social networking sites of your choice for other writers who might also enjoy this blog and find it useful. Thanks, Doris

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Why You Should Sell Paper Books Too

BookStaple

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E-book authors might be happy with their sales on Amazon, Apple, Kobo or B&N. You might have even turned it into an audio book.  But the questions for a “real” book, paper back or hard-cover copy from conservative friends or elderly family members are nagging… And wouldn’t it be nice to walk into a Chapters or Baker & Taylor or one of the rare independent book shops and see your book in the shelf?

You will not earn a fortune, not even a living, but for a couple of months it is a nice pocket change. Only months… yes, because longer than this, barely any book will stay in the book store, unless it really is a bestseller and gets re-printed.

If you go the indie route and choose for sample the POD services and worldwide distribution through Lightning Source, (provided you have at least 3 books to be considered a small publisher) your book is printed on demand and will never get discarded (good: no-return-policy in POD worldwide distribution). See my blog from last month How to Distribute Your Book Worldwide.

All you need is the spine / back of your cover designed and professionally formatted (graphic designer, book designer, lay-outer). To work with Lightning Source you need to have at least three books to be considered a publisher and you will not receive technical help. Using CreateSpace as a POD service is the better choice if you are not a computer geek and you have less than three books.

Due to the high print-on-demand printing costs, you need to sell a 180-page fiction book for more than $10 to make any profit at all. Still you don’t make real money with your paper book, unless you are a marketing pro, very entrepreneurial and able to organize a small publisher business and invest in your written work and in letterpress print.

Role models are enough out there and they will tell you exactly how to do start as a reall publisher with their books and blogs – from Dan Poynter, Aaron Shephard to John Kremer, Joanna Penn and Joel Friedman. Author David Gaughran wrote in one of his blogs, Making Money from Paperbacks: “I was really slow to see the potential in print, and it was probably the biggest mistake I made over the last year.”

But then again: Why on earth should you go with a paper edition of your e-book?

  • The majority of book buyers still chooses printed books at the moment (that will change)
  • You can give out review copies to newspaper/magazine or book blog reviewers
  • To be hosted at local media / TV interviewers who want to show a copy of your book
  • To sell your book easier to libraries
  • To participate in a Goodreads giveaway
  • To sell your book to those who really don’t want an e-Reader or just love paper books
  • If you write non-fiction it is almost a must to offer it in paper as well
  • You have an ISBN number and can get listed with Bowker  at worldwide bookstores
  • Physical books are just nicer to give on Christmas – unless you put an e-book on a new e-Reader and wrap it
  • To sell more e-books! Yes – because they seem to cost so much less in comparison…
    .

And last but not least: Think hurricanes or other reasons for power outage. I know e-Readers have batteries. But guess what: just yesterday my Kindle went dead and needed to be re-charged! With heavy thunderstorms around the house due to hurricane “Sandy”, I did not want to plug it in – and instead I read a paper book surrounded by lots of solar lamps and candles.

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If you enjoyed this blog post, please feel free to check out all previous posts of this blog (there are almost 570 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Tumblr and StumpleUpon.

Follow on Twitter: @111publishing

And don’t forget to spread the word on other social networking sites of your choice for other writers who might also enjoy this blog and find it useful. Thanks, Doris

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Turn Your Manuscript into a Cash Cow

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antique radio .

Do you remember my blog “Split Your Book Apart“? What else could you do with your manuscript and your copyright? One of the suggestions was audio.  In other words: Re-purpose your manuscript and make more out of it than just a book and an e-book. Why not additionally create an audio-book from your novel or even from non-fiction? Audio-books are becoming more and more popular!

  • Your readers can listen to your audio-books, which can easily double their book consumption because they are using time that previously was not available and turning it into valuable “reading” time.
  • They can listen in the car, bus, train, plane… while exercising, walking or hiking, on the beach or while doing mundane tasks around the house or yard.
  • Special needs readers, such as blind ones will have access to your written words in form of an audio-book.
  • Audio-books can be listened to on an iPod or iPhone/SmartPhone or other MP3 player, even on most e-readers such as Kindle and Nook.

A membership at www.Audible.com (owned by Amazon.com) is a good deal for your readers. They can choose from various plans, and easily download digital audio-books to their preferred device. Or they can go to their local public library to get audio-books for free.
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There are three ways of producing an audio-book:

  1. You do it all yourself. If you are on a very tight budget you can make audios with some relatively inexpensive equipment.
  2. You use a narrator who is specialized on audio books and who gets a percentage of royalty after production of your audio-book (for which they charge too).
  3. You organize a professional production and keep all your royalties for yourself.

Here are some tips to achieve this:

  • You should find an experienced sound editor and an audio director to get the most out of your studio time and ensure a quality production. Check the packaging on audio-books in stores to see if a producer is credited.
  • Choose only the ones who are used to work with audio books.
  • Get a good microphone and a screen to soften explosive sounds.
  • If you choose professional help, try to find a trained speaker, such as a graduate from an actor school or drama school.
  • A professional voice-over artist website has a large pool of excellent audio performers and will greatly enhance your project. Order sample audios, emailed to you, to evaluate talent.  The ball park figure for an audio book production service ranges from $500 – $1.200, but can be higher, depending on the books’ length.

To have your audio-book sold, check www.Audible.com / Amazon.com. You will be referred to ACX, the Audiobook Creation Exchange  where you get tons of good advice how to narrate your own audio book or what to look for when outsourcing.  I was positively surprised how well they explain in detail the whole process for author on their website, including case studies, how much you will earn, contract samples and how to promote your audio-book. Check it out before you start your project!

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If you enjoyed this blog post, please feel free to check out all previous posts of this blog (there are almost 570 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Tumblr and StumpleUpon.

Follow on Twitter: @111publishing

And don’t forget to spread the word on other social networking sites of your choice for other writers who might also enjoy this blog and find it useful. Thanks, Doris

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